Lightmap are having a Black Friday / Cyber Monday Sale again this year.
All orders made at our website – www.lightmap.co.uk during the sale period will automatically receive a 25% discount at checkout. This includes 1 year subscription, permanent licenses, and connections. Continue reading →
Here at Lightmap we believe passionately that each 3D render you create deserves hand crafted lighting. That’s why we don’t create and sell stock studio HDRI maps. In this article we explain why we feel like this. Continue reading →
Mark Segasby talks with HDR Light Studio user Samuel Axelsson. We discuss his path into 3D, the software he uses, his product visualization work for POC, his retouching for Volvo and his 3 year break from 3D learning to paint. It was an amazingly fun conversation.
Welcome to the first episode of 3D TALK – where I talk to 3D artists and learn about their journey into 3D, the tools they use and anything else interesting that crops up.
I had a really enjoyable conversation with Polish 3D artist Wojciech Portnicki. We chatted about his path into 3D, his use of MODO with Octane Render working for Harman in China, and much more. The sound quality is poor, as it was recorded over skype, but stick with it, he has a great story. Not many 3D artists start out as librarians.
I had the pleasure to spend the 1st week of October visiting existing and potential customers in Sweden. Climaxing in a demonstration of HDR Light Studio at the Cinema 4D User Event organised by our Swedish authorised reseller Creative Tools.
It was an extremely busy week, with many miles being driven on the road between locations, and many miles being driven by my computer mouse, as I provided in depth demonstrations of HDR Light Studio features with 3ds Max, Maya, Cinema 4D and MODO. Continue reading →
Founded in 2004, Happy Finish is a globally renowned Production Studio and Agency offering a vast range of cross-platform creative production services including VR, AR & Mixed Reality, 360 images, Stills Retouching & CGI, Animation and Motion Production & Post, as well as Artificial Intelligence. (Wow, that’s a lot of services!)
We spoke to Derek DSouza, a CG Artist based at Happy Finish’s Mumbai Office, to discuss the challenges faced by CG Artists in India, his preferred workflow to meet these demands and of course how HDR Light Studio plays a key part of their workflow. Continue reading →
Sonoco-Trident is the world’s fastest growing and most innovative digital brand management business. They have been using HDR Light Studio for 2 years now.
Let’s see what Sonoco-Trident 3D artists have to say about HDR Light Studio software.
The software allows us to very quickly create very realistic lighting set ups for our CGI scenes. It has completely changed how we build our scenes and allowed us to massively improve the quality of renders we produce.
HDR Light Studio is very easy to use, and gives us full control of specific highlights and shadows with its full spectrum of controls, presets and settings.
The software is perfect for creating studio style product shots, which is the bulk of what we do at Trident. It has everything you need to recreate a virtual photography studio on your desktop. Having the ability to ‘drag and drop’ a highlight means you can focus on creativity rather than technical limitations. Prefect for people who aren’t very technical, like me!
Duncan Dix is D&AD awarded Creative Director with 10 years’ experience across Broadcast, Film, Live Event & Print. Duncan lit Audi A3 images with HDR Light Studio and shared his story of lighting with us.
Here is what he says- I’m finding Light Studio indispensable. It’s one of those things – once you use it it’s hard to go back to a workflow without it.
Amador Valenzuela is Founder & Creative Director of Black Book Studio. Black Book Studio is a creative studio focused on design & animation for the entertainment, advertising, and independent entrepreneur communities.
Black Book recently used HDR Light Studio for lighting the opening shots in the movie John Wick 2. We got in touch to find out more about Amador’s history in 3D, the tools he uses, and how HDR Light Studio was used for John Wick 2.
Amador, how did you get started in 3D?
I’ve always had a passion for drawing and painting, and I knew I wanted to work in a creative field when I grew up. In high school, I took scenic design classes where we built sets for plays. It taught me how to work in a team environment which I loved. 3D seemed to be a mixture of those traditional mediums taken to the next level. I figured demand for that kind of work would only grow over time, so I made a strategic decision to study “computer animation” in College.